Title : NYFF Shorts Section 1: Program 1: Remains to Be Seen
link : NYFF Shorts Section 1: Program 1: Remains to Be Seen
NYFF Shorts Section 1: Program 1: Remains to Be Seen
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After the visually interesting but not adding up to much APPARITION there are three films that marry and repurpose images to a narrative track to explore various ideas. They are very much of a theme and while REVOLT WITHOUT IMAGES, UNTITLED SEQUENCE GAPS and THIS DAY ON'T LAST have moments they kind of blend together. I am not writing on them because the way they were programmed resulted in them being a big blur.
It’s a fact made worse when the final film, Jafar Panahi’s HIDDEN, starts and blows them away. Panahi’s small masterpiece is about the filmmaker and his family going to see a young Kurdish woman who has an incredible singing voice but is not allowed to use it. Traveling to a far off town they get the young woman to sing off camera. It’s an amazing piece of filmmaking that involves for most of it’s running time people sitting in a car talking. It’s a wonderful conversation that just makes everything truly magical. Frankly it’s a small gem and one of the early highlights of this year’s NYFF
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