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Title : 14 of 342 "Double Exposure: Portraits and Parallels from Across the Diaspora" Opens Friday November 30 at Metrograph
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14 of 342 "Double Exposure: Portraits and Parallels from Across the Diaspora" Opens Friday November 30 at Metrograph

Double Exposure: Portraits and Parallels from Across the Diaspora Special guests include: Filmmaker Ernest Dickerson Producer Lisa Cortes Filmmaker Juney Smith Filmmaker Woodie King, Jr.

Twenty-three years ago, the Creatively Speaking Film Series was founded with the mission of elevating the work of highly regarded independent filmmakers of color. “Double Exposure” highlights work from across the African Diaspora—African American, African, and Caribbean films—reaffirming Creatively Speaking’s commitment to changing the cultural narrative, one image at a time. The wide-ranging program, beginning November 30 at Metrograph, includes new political drama, little-known history lessons and speculative fiction, and a program of shorts. Screenings to be followed by in-depth conversations with filmmakers. Curated by Michelle Materre and the Creatively Speaking team. Double Play (Ernest Dickerson/2017/130 mins/DCP) Dickerson, the cinematographer of several of Spike Lee’s most crucial works and an accomplished director in his own right, travelled to the Dutch Caribbean island of Curaçao to craft this vibrant, atmospheric adaptation of an acclaimed novel by Kurasoleño writer Frank Martinus Arion. Part love triangle, part cultural celebration, the film’s protagonist Ostrik returns to his native country from the Netherlands, where he must confront the memory of a long-ago incident whose repercussions haunt the present day. Featuring phenomenal performances by Luke Cage star Mustapha Shakir and the always excellent Louis Gossett, Jr.  Friday, Nov. 30 - 8:15pm - Followed by Q&A with Dickerson and producer Lisa Cortes Teza (Haile Gerima/2008/140 mins/16mm)  Gerima, a key figure in the explosion of Black filmmaking genius that was the L.A. Rebellion, offers a rich, morally complex tale of homecoming in his native Ethiopia. Intellectual Anberber (Aaron Arefe) returns to his homeland after years spent studying medicine in Germany, only to find the country of his youth unrecognizable, in turmoil under the repressive totalitarian regime of Haile Mariam Mengistu, whose military junta uses scientists for its own political ends. Finding no refuge from sectarian violence in his old country home, Anberber must decide on a conscientious way to cope with a situation beyond conscience.  Saturday, Dec. 1 - 1:30pm - Followed by Q&A with programmer Michelle Materre and scholar/writer Kazembe Balagun Footprints of Pan Africanism (Shirikiana Aina/2018/77 mins/DCP)  This soul-stirring documentary looks back to the jubilance of Ghana’s liberation out from under its colonial yoke, when Africans on the continent and throughout the Diaspora participated in building a new nation. Their efforts were rooted in the determination to reassert Black people’s humanity and recover from the impact of slavery and European rule, all of which constituted an essential part of the global Pan-African vision for freedom. Footprints is a cinematic celebration and a provocation, passing the baton of the great Pan-African dreamers to a new generation.  Saturday, Dec. 1 - 4:30pm - Followed by Q&A with programmer Michelle Materre and scholar/writer Kazembe Balagun King of Stage: The Woodie King Jr. Story (Juney Smith/2017/95 mins/DCP)  One of the most important figures in the contemporary Black cultural arena, Woodie King, Jr., is the founder and producing director of the New Federal Theater and the National Black Touring Circuit in New York City. He has presented over 200 plays since the theater first launched in 1970, in addition to producing and directing Broadway shows by Ntozake Sange and Ron Milner, and facilitating the careers of renowned actors such as Glynn Turman, Phylicia Rashad, Viola Davis, Denzel Washington, and Samuel L. Jackson. The full measure of this legacy is explored in King of the Stage, a curtain call for an immortal of the American theater.  Saturday, Dec. 1 - 7:00pm - Followed by Q&A with Woodie King. Jr and filmmaker Juney Smith Brown Girl Begins (Sharon Lewis/2017/70 mins/DCP) Nalo Hopkinson’s novel Brown Girl in the Ring provided the inspiration for first-time feature director Lewis. The film blends folklore and post-apocalyptic science-fiction to tell the story of Ti-Jeanne (Mouna Traoré), coming of age in a future world still predisposed to ignore black and female voices. Ti-Jeanne confers with Caribbean spirits and contends with dark magic in order to liberate the segregated poor, confined to a tiny island called the Burn, just off the coast of current-day Toronto.  Saturday, Dec. 1 - 9:30pm - Followed by Q&A with programmer Michelle Materre and curator Clarissa Clay Double Exposure Shorts Program (87 mins/DCP)  A program showcasing the work of several provocative new talents. A water delivery truck driver in South Central L.A. uncovers a plot to privatize the city’s dwindling resources during a prolonged drought in DuBois Ashtong’s Where the Water Runs. GIVE, by David De Rozas, shows a senior Reverend seeking to preserve his legacy building an alternative visual narrative for the black community before his impending retirement. Darius Clark Monroe’s Black 14 uses archival material to tell the story of fourteen black student athletes who were dismissed from the University of Wyoming's football team in 1969 for taking a stance against racial harassment and discrimination in the Mormon church. Angelique Webster’s experimental documentary Respect and Love is a tribute to the first African-American woman to sue the Catholic Church for sexual abuse thirty years ago, and a colloquy between the filmmaker and her mother. Ivana Hucíková, Sarah Keeling, and Grace Remington's Into My Life pays a moving tribute to the work of one mother-daughter duo, the community present in Lindsay Park, the largest affordable housing cooperative in Brooklyn, and the power of creative self-representation. Sunday, Dec. 2 - 2:00pm - Filmmakers Darius Clark Monroe, A.B. Webster, Sarah Keeling, and Grace Remington in person Uprize! (Sifiso Khanyile/2017/57 mins/DCP) & I Want to See for Myself (Khanyile/9 mins/- in progress) In June of 1976, the Soweto uprising, a series of protests led by black South African students which was met with repressive police violence by the apartheid state, showed a new, defiant face of the fed-up segregated youth to the watching world. Now, over forty years later, Khanyile’s remarkable documentary reignites the fire of the uprising using archival footage and the firsthand accounts of students leaders to vividly return to the joy and pain that marked a turning point in the history of South Africa.  Sunday, Dec. 2 - 6:15pm - Followed by Q&A with programmer Michelle Materre and professor Mmammotsa Makhene

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