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Title : What Does an Animation Editor Do?
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What Does an Animation Editor Do?

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The Film Editor is one of the most important and creative roles on any production. The animation editor is involved in every process of planning and production, from the earliest stages, including cutting and editing the storyboard animatic.

Making an animated film is a collaborative effort and is almost always completed with a team of people; the editor is one of the key creative roles on any production.

We encourage all our students at Escape Studios to try their hand at film editing, it's an important job and one of the most interesting seats to occupy on any production.

Adam & Eve Mk II - edited by Sebastian Kuder

Animation is Different from Live Action
Animated films are not made like live-action films. In live action, you shoot a bunch of footage, including multiple versions of scenes, and multiple takes of scenes. In animation, the storyboard artist and editor work together to cut a storyboard animatic of the film. Once the animatic is complete, this becomes the blueprint from which to animate the film.  As Ken Schretzmann, editor of Toy Story 3 and Cars, puts it: "On live action, you shoot first and edit later.  In animation, you edit first and then shoot it later."

Editing an animated film
In animation, the editor is one of the key creatives on the project. The editor works with the writer, director and board artists to make the animatic as good as it can be. The editor will help to time out the boards, add sound effects and also add a music soundtrack - where appropriate. Sound is, after all, 50% of the viewer's experience.  Cutting, voice overs, sound design - these are all areas where the editor needs to gain experience.

Film Editing at Escape Studios

Jerich0 - edited by Daniel Dutton

At Escape Studios, we assign a students to act as editor for all of our film projects. This is usually someone with some experience of using Premiere Pro, which is the principal editing software we use at Escape.

The editor acts as the fulcrum of the production. During animation dailies, the edit gets reviewed on a daily basis, and each night the editor will find him or herself busy cutting in all the latest elements - storyboards, 3D layout, Animation, final comp - whatever stage each shot is at. This involves keeping track of a great deal of material, and making sure that each shot is up to date and the latest version.  A good editor is a film-maker, but also needs good organisational skills, to ensure that the production runs smoothly.

Quarantine Chorus - edited by Paloma Zhu

Film-making Resources
For more information on making animated short films, follow the links below:

• Why Animators Need Mood Boards
• Why Animators Need Colour Scripts
• Managing Group Projects
• Why Animators Must Wreck Their Rigs
• Why Animators Need an Animatic
• Why Animators Must Check Their Hookups
• How to Record Voice-Overs
• What are CBBs? (Could be Better)
• Colour Grading your film
• Thanks and Special Thanks - Getting film credits right
• How to Create the Perfect One-Sheet Movie Poster (and why you need one)
• Getting Listed at IMDB

The Escape Studios Animation Blog offers a personal view on the art of animation and visual effects. To apply for our BA/MArt in 3D Animation, follow this link.  To apply for our storyboarding evening class, visit this page here.  For the next 12 week animation course, click here.

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